• Home
    • Ohne Titel (O.T.)
    • Borderlands
    • Headless/Breathless
    • War Landscapes
    • Which Side Are You On?
    • Our Borderlands
    • In My Words
    • After the Beforetimes
    • THE TWINS (Rise & Fall)
    • Rutland
    • The Aleppo Room
    • Refuge
    • 17 Months - 12 Minutes
    • Bio & Statement
    • CV
    • Art Criticism & Press
    • Awards, Residencies & Public Talks
  • Contact
Menu

Viktor Witkowski

  • Home
  • Paintings
    • Ohne Titel (O.T.)
    • Borderlands
    • Headless/Breathless
    • War Landscapes
  • Film & Video
    • Which Side Are You On?
    • Our Borderlands
    • In My Words
    • After the Beforetimes
    • THE TWINS (Rise & Fall)
    • Rutland
    • The Aleppo Room
    • Refuge
    • 17 Months - 12 Minutes
  • About
    • Bio & Statement
    • CV
    • Art Criticism & Press
    • Awards, Residencies & Public Talks
  • Contact
“The steady rise of white nationalism in the US was invigorated during the first years of the Obama administration (only to become a permanent fixture during Trump’s reign). In European and eastern European countries like Germany, France, Poland and Hungary the so-called ‘refugee crisis’ led to a strengthening and unprecedented visibility of far-right groups. In addition to documenting people in different situations via film, I have been working on a range of figurative paintings for a decade and a half now. These paintings feature individuals I encountered, locations I visited and news stories I read.

BORDERLANDS started out as isolated paintings of contemporary events. At first, these paintings were reactions rather than carefully considered responses. Over the past two decades, this set of paintings has become a visual document of the many histories that evolved and at times intersected with each other. Many of them are based on personal accounts, my own family history, and interactions with specific individuals while others are representations of underreported events.”
View fullsize The day we arrived in Germany in October, 1983, 18" x 24", oil on raw linen, 2024
View fullsize A picture of my mom on my dad's living room wall, 16" x 20", oil on raw linen, 2023
View fullsize Where I laid my mom's ashes to rest, 16" x 20", oil and acrylic on raw linen, 2023
View fullsize Border Marker (US vs THEM), 23.5" x 23.5", oil on raw linen, 2021
View fullsize I wish this was a Katharina Fritsch (Christ the King, Poland), 48" x 60", oil on canvas, 2019
View fullsize Boder Stones in Görlitz County (Saxony), 39.5" x 31.5", oil on canvas, 2025
View fullsize Border Marker, 31" x 27.5", oil on canvas, 2024
View fullsize Border Marker, 36" x 24", oil on panel, 2016
View fullsize Lasgin (Espelkamp, Germany), 48" x 60", oil on canvas, 2018
View fullsize Hussam and Zoya (Government District, Berlin), 48" x 60", oil and pencil on canvas, 2018
View fullsize Abdalla (Espelkamp, Germany), 12" x 15.5", oil on panel, 2018
View fullsize Hunter (Paramount Theater, Rutland), 12" x 15.5", oil on panel, 2017
View fullsize One Flag (Ferguson), 24" x 36", oil on panel, 2015
View fullsize Escheburg Burning, 36" x 24", oil and pencil on panel, 2016
View fullsize White (Klansman), 48" x 36", oil on canvas, 2009
View fullsize White (Snow), 48" x 36", oil on canvas, 2009
View fullsize Mighty, Mighty, 14" x 18", oil on canvas, 2009
View fullsize Punch Holes (My Grandmother's WWII Photo Album), 20" x 24", oil on canvas, 2011
View fullsize 31. August, 1939 (Gleiwitz Incident), 16" x 20", oil on raw linen, 2012
View fullsize German Troops Crossing the Polish Border (September 1939), 16" x 20", oil on raw linen, 2008

© 2025 Viktor Witkowski